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Instrumentation of Freud’s Psychoanalysis, Marxism, Semiotic, Iconic & Realism in context of Politics & Class Struggle in Modern Day Arts & Motion Pictures
2021-12-31
This project-based research in the form of a visual essay along with reflective summary will gaze into the political aesthetics of art and history collaborated with its communicative approach and correlation in the global appearance. The motto of this essay is the representation of political aesthetics and class struggle through modern day arts, images and graphic from Psychoanalytic, semiotic, iconic, realism and Marxist viewpoint and their impacts on the communication and correlation. As images could be read from various perspectives, how the formalism and visual form of art alongside psychoanalytic and connoisseurship point of view could encounter the reflection as a limitation, would also be elaborated. In order to perform that and to achieve a concrete establishment according to the finding, thirteen images will be evaluated in relation to their political aesthetic to find out their influences, political aesthetics and class-struggle perspectives on global-scale appearances from Psychoanalytic, semiotic, iconic, symbolic, realism and Marxist viewpoint. Apart from the accomplishment of the evaluation of their nature of communication, this essay would also enlighten the theoretical dimension of arts and images in contrast to the point of interests.
Ссылка для цитирования:
Dakua S. 2021. Instrumentation of Freud’s Psychoanalysis, Marxism, Semiotic, Iconic & Realism in context of Politics & Class Struggle in Modern Day Arts & Motion Pictures. PREPRINTS.RU. https://doi.org/10.24108/preprints-3112361
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